Archive for the ‘john lasseter’ tag
Welcome to the first installment of yet another new ongoing series I just now thought up: Â Ten2One, which is, in all honesty, just a fancy handle for a fairly standard Top 10 list. Â To kick things off, in honor of the opening of Pixar’s tenth animated feature, Up, I present to you my ordering, from worst to first, of my favorite Pixar movies.
10. A Bugâ€™s Life (1997)
While A Bugâ€™s Life might be my least favorite Pixar movie, I want to note that I donâ€™t at all think itâ€™s bad. Â Itâ€™s still perfectly entertaining, and the leap in technology from Toy Story, their first film, to this, their second one, was immense â€“ just look at that model bird in the big climax.Â But A Bugâ€™s Life also featured their most annoying lead character, and most of the secondary cast, while funny, didnâ€™t have any of the emotional connection that the great Pixar movies have.Â This one gets a solid B from me, which is still damn good for being in the bottom slot on this list.
9. Cars (2006)
I know John Lasseterâ€™s The Man at Pixar and all, but this labor of love from him wasâ€¦underwhelming.Â Again, certainly not bad â€“ and itâ€™s held up surprisingly well to the several thousand of viewingsÂ of itÂ Iâ€™ve endured thanks to my two daughters.Â But I think the fundamental problem with Cars was much the same as with A Bugâ€™s Life: Â its lead character simply wasnâ€™t compelling enough (Owen Wilson‘s voice just didn’t connect with me) and the supporting cast was colorful but not especially engaging (Paul Newman‘s Doc Hudson aside).Â Maybe thatâ€™s a problem which will get rectified in the sequel.
(Side note: I have a separate post brewing about that difference between these two â€œlower tierâ€ Pixar movies and all the ones above it; I hope to get that written sometime this week.)
8. Monsters, Inc. (2001)
And now we enter the solid A-minus-and-up range with the movie which has bumped farthest down the list simply because all the films released after it have been better.Â And that â€œemotional connectionâ€ thing I mentioned was missing from numbers nine and ten above?Â Yeah, totally present here.Â Thereâ€™s more pure emotion in the closing shot of Sully than in those last two flicks put together. Â (Pixar Show-Off Shot: Â Sully’s fur, especially when blowing in the wind and covered in snow.)
7. Toy Story 2 (1999)
In many ways, probably a superior film to the original Toy Story, but this list is rating my favorite Pixar movies, not necessarily the best, and thatâ€™s a small but important distinction to make.Â Story goes that Toy Story 2 was supposed to be a straight-to-video release (banging out straight-to-video sequels was pretty much standard practice with Disneyâ€™s animated features then), but when Disney realized just how good it was, they had Pixar finish it up for theatrical release instead.Â And good thing, too: Â it went on to gross $245 million, making it the third-highest-grossing film of â€˜99.
6. Up (2009)
My full reviewâ€™s coming very soon, but for now Iâ€™ll say that Up is the first animated movie since The Iron Giant to make me cry.Â (Yes, I know thatâ€™s more knocks against my Jason Statham-like Tough Guy image.)
5. Ratatouille (2007)
One of the things I absolutely adore about this movie â€“ even aside from the gorgeous renderings of Paris and the celebrations of both cooking and eating â€“ is the fact that lead characters are so flawed.Â Remy is petty, obstinate, defensive and rash; Linguini is weak (to begin with, anyway), cowardly, willing to take credit not due him, and equally rash.Â Yet together, they manage to lift themselves above their â€œhumblest beginningsâ€ (so says the critic Anton Ego) to incredible successes â€“ and they lift Ratatouille up, too.
4. Toy Story (1995)
I first discovered Pixar in 1992 when I saw their short film â€œKnick Knackâ€ as part of an animation festival in Tampa.Â I immediately fell in love with the company â€” while they certainly werenâ€™t the first company to produce computer-generated animation, they were far and away the best Iâ€™d seen yet â€” and I desperately looked forward to seeing more work from them.Â Then two years later, I heard they were producing a feature-length animated film to be released by Disney.Â I saw Toy Story the weekend it opened in theaters â€” a tradition Iâ€™ve continued to follow with all nine of their subsequent releases â€” and loved it even more than Iâ€™d been expecting to.Â The technology obviously doesnâ€™t hold up as well as one might hope, but hey, itâ€™s fifteen years old; thatâ€™s lifetimes in terms of software development.Â The story craft was already there, though, and (hereâ€™s a little secret for you) that’s just as important to me as the actual animation.Â (Toy Story also sparked some of my earliest love for Joss Whedon, before I even knew who the hell he was!)
3. WALL-E (2008)
WALL-E has to be one of the most engaging, sympathetic leads in any movie in recent history; the fact that director Andrew Stanton and his crew managed to convey those qualities with such limited dialogue really is amazing.Â Yes, OK, fine — the environmental message can come across a little preachy.Â Or a lot preachy.Â But it’s a good message, so it doesn’t much bother me, especially in the service of such an excellent movie.
2. Finding Nemo (2003)
One of the most finely-tuned scripts of any movie I’ve seen, animated or otherwise.Â Not a scene or line feels wasted to me: Â the Oscar nomination for Best Original Screenplay director Stanton received for this movie was very well justified.Â Nemo features one of the strongest supporting casts of any of the Pixar flicks, and the interplay between Ellen DeGeneres‘ Dory and Albert Brooks‘ Marlin still makes me laugh (and care) every time I watch it.Â Unsurprisingly, the bit about the overprotective father learning to let go gets to me, too.Â (Also, Nemo was the first of four Pixar movies to date to take home the Academy Award for Best Animated Feature.)
1. The Incredibles (2004)
Honestly? Â The Incredibles is my favorite movie, period.Â Here’s the thing:Â when I first saw the teaser trailer for this one before Finding Nemo and found out what it was about and who was behind it, my mind was already blown.Â It’s Pixar?Â And superheroes?Â And it’s written and directed by Brad Bird, the genius behind The Iron Giant, my favorite non-Pixar animated movie?Â My expectations were so high that I was convinced there was no way this movie could possibly live up to them.
But it did.Â To make a bad Pixar joke:Â if my expectations were infinite, then The Incredibles went to infinity and beyond.Â The characters are richly nuanced and believable, the animation and design are stunning, the script respected its audience’s intelligence, the heroic action scenes are, well, incredible…honestly, The Incredibles is pretty much my platonic ideal of a movie.Â I sincerely hope they never make a sequel, because I don’t think it could do the original justice.
Of course, Pixar’s blown away my expectations before…
Almost three years ago, I got my enthusiasm all up because then-newly-promoted Chief Creative Officer at Disney John Lasseter announced the Mouse would be returning to making traditional cel-animated features. This holiday season, we’ll finally see the payoff from that announcement when The Princess and the Frog hits theaters. Â Below, enjoy the initial trailer for the new film. Â (I especially liked the pencil-markings-becoming-beloved-characters bit at the beginning…nice bit of symbolism.)
The trailer itself seems promising; some of the humor seems a little awkward, but the New Orleans setting should make for some splendid art direction. Â I’m reasonably sure this one will require a first-weekend visit, even if it looks like there might be some scary elements in there …but don’t most of the good Disney cartoons? Â
I won’t blather on again about how happy I am to see hand-drawn (for some 21st-century version of “hand-drawn”) animation coming out of Disney again, but that’s only because I’d just be repeating what I said three years ago — just go read that, because it all still applies.
 I meant scary elements in the movie, not scary elements in New Orleans, though there are plenty of those, too.